Vendetta

1. Jaws 2. The Godfather Part 1 3. 300 4. Silence of the Lambs 5. Die Hard with a Vengeance 6. Star Wars: Return of the Jedi 7. The Rock 8. Face Off 9. Across The Universe 10. Live Free or Die hard (saw 4 times) 11. Top Gun 12. The Devils Rejects 13. Superbad 14. The Godfather Part 2 15. Charlie Wilson's War 16. Suicide Kings 17. The Last King of Scotland 18. Nightmare on Elm Street 19. Friday the 13th 20. Indiana Jones and The Raiders of the Lost Ark.

I want to see Slice vs. Lesnar..that would be fucking epic. They say Kimbo has improved vastly since being trained in the art of MMA.

Currently watching a compiliation of peter north cumshot videos..because who does love women coated in copious amounts of cum?

My god, this is going to be fucking awesome.

I didn't think I could hate Stewart anymore than I already did...but with that hair that he has went and grown..he looks like a total douche now.

Dale Jr. Wins the Bud Shoot out to kick of the 08 season.

Wow that Jessica Alba pick is hot..however the shadow looks sort of like a cock.

Then I take it you bought Steve Earle's album because Tom Waits is horeshit.

Stock would be the best way to go. And you can go first..because your Dochappy..and well..yeah..your Dochappy.

I present to you...the women of G-4 Olivia Munn Layla Kayleigh Morgan Webb

For the country I would love to see Taylor Swift get it..She is the first female country artist in history to have had her debut album go multi-platnium and all of the songs are written by her. Which gets so much more respect from me because I beleive in order to be a true music artist you have to write your own material.

Record of the Year: "Irreplaceable," Beyonce; "The Pretender," Foo Fighters; "Umbrella," Rihanna featuring Jay-Z; "What Goes Around ... Comes Around," Justin Timberlake; "Rehab," Amy Winehouse. Album of the Year: "Echoes, Silence, Patience & Grace," Foo Fighters; "These Days," Vince Gill; "River: The Joni Letters," Herbie Hancock; "Graduation," Kanye West; "Back to Black," Amy Winehouse. Don't Miss Song of the Year: "Before He Cheats," Josh Kear & Chris Tompkins (Carrie Underwood); "Hey There Delilah," Tom Higgenson (Plain White T's); "Like a Star," Corinne Bailey Rae (Corinne Bailey Rae); "Rehab," Amy Winehouse (Amy Winehouse); "Umbrella," Shawn Carter, Kuk Harrell, Terius "Dream" Nash & Christopher Stewart (Rihanna Featuring Jay-Z). New Artist: Feist; Ledisi; Paramore; Taylor Swift; Amy Winehouse. Pop Vocal Album: "Lost Highway," Bon Jovi; "The Reminder," Feist; "It Won't Be Soon Before Long," Maroon 5; "Memory Almost Full," Paul McCartney; "Back to Black," Amy Winehouse. Rock Album: "Daughtry," Daughtry; "Revival," John Fogerty; "Echoes, Silence, Patience & Grace," Foo Fighters; "Magic," Bruce Springsteen; "Sky Blue Sky," Wilco. R&B Album: "Funk This," Chaka Khan; "Lost & Found," Ledisi; "Luvanmusiq," Musiq Soulchild; "The Real Thing," Jill Scott; "Sex, Love & Pain," Tank. Rap Album: "Finding Forever," Common; "Kingdom Come," Jay-Z, "Hip Hop Is Dead," Nas; "T.I. vs T.I.P.," T.I.; "Graduation," Kanye West. Country Album: "Long Trip Alone," Dierks Bentley; "These Days," Vince Gill; "Let It Go," Tim McGraw; "5th Gear," Brad Paisley; "It Just Comes Natural," George Strait. Latin Pop Album: "Papito," Miguel Bose & Varios Artistas; "12 Segundos De Oscuridad," Jorge Drexler; "Navidades Luis Miguel," Luis Miguel; "Dicen Que El Tiempo," Jennifer Pena; "El Tren De Los Momentos," Alejandro Sanz. Contemporary Jazz Album: "Party Hats," Will Bernard; "Downright Upright," Brian Bromberg; "Re-imagination," Eldar; "River: The Joni Letters," Herbie Hancock; "He Had a Hat," Jeff Lorber. Classical Album: "Cherubini: Missa Solemnis in E," Riccardo Muti, conductor, Wilhelm Meister, producer (Ildar Abdrazakov, Herbert Lippert, Marianna Pizzolato & Ruth Ziesak (Symphonieorchester Des Bayerischen Rundfunks); "Grechaninov: Passion Week," Charles Bruffy, conductor, Blanton Alspaugh, producer (Kansas City Chorale & Phoenix Bach Choir); "Homage: The Age of the Diva," Renee Fleming, David Frost, producer (Valery Gergiev, Orchestra of the Mariinsky Theatre); "Lorraine Hunt Lieberson Sings Peter Lieberson: Neruda Songs," Lorraine Hunt Lieberson, Dirk Sobotka, producer (James Levine; Boston Symphony Orchestra); "Tower: Made in America," Leonard Slatkin, conductor, Tim Handley, producer (Nashville Symphony). God talk about a stacked Rap Album category. Also I hope Daughtry doesn't win. I fucking hate his music. It all sounds the fucking same.

Diana Ross: The reigning queen of Motown was overlooked as a soloist and with the Supremes despite the astute pop crossover mission that underlined their indelible '60s hits. Even forays into Broadway and cabaret fare, which would have seemed gateway moments for the academy's more conservative members, failed to win awards, and Ross' subsequent pop and dance releases likewise eluded Grammy gold. 2Pac: An early icon and unwitting martyr for gangsta rap, Tupac Shakur graduated from a supporting role in Digital Underground to become a promising rapper, actor and poet whose outlaw image was offset by glimpses of a more sensitive perspective. Platinum album success and a burgeoning screen career pointed toward stardom even as 2Pac's run-ins with police both dramatized his image and added career risks. His murder in 1996 cut short his career but not his discography as a substantial vault of unreleased material emerged, but Grammy acclaim never followed. Bob Dylan: Officially, Bob Dylan has 10 Grammys, so what's the beef? The landmark '60s albums that defined his sound, shaped rock and made him the most influential singer-songwriter of the century were ignored. Dylan's first win was by proxy, appearing on George Harrison's "Concert for Bangladesh" in 1972, with Dylan's first nod on his own a Rock Vocal award for 1979's "Gotta Serve Somebody." Ironically, Dylan's first album Grammy was the 1994 Traditional Folk winner, "World Gone Wrong," which featured no Dylan originals. But since 1997, Academy members have made up for lost time by crowning his last three albums with a total of six awards David Bowie: A lone award for Short-Form Music Video in 1984 is the only glimmer of Grammy gold thus far for one of the most influential artists of the '70s, '80s and early '90s. Bowie's changeling rock odyssey traced a path through glam, Philly soul, disco and art rock to gain a platinum fan base, rock radio's embrace and major tours but failed to move Grammy voters. The Doors: Add the Doors to the ranks of iconic '60s rock bands that couldn't catch the academy's eye (or ear), despite their string of hit singles and groundbreaking albums from 1967 through 1971. Rolling Stones: Even when they were the self-proclaimed "world's greatest rock band," the Rolling Stones were persona non grata with Grammy voters, serving as poster boys for the academy's oversights with classic '60s rockers. Although they eventually snagged a Best Rock Album award with 1994's "Voodoo Lounge" and a Short-Form Video win for "Love Is Strong," the Stones never won for any of their masterworks from the '60s, '70s or '80s. Madonna: A 1991 Long-Form Music Video award for her "Blond Ambition" tour video only emphasizes Grammy's indifference during Madonna's peak years. The academy finally warmed to Ms. Ciccone with 1998's techno-laced "Ray of Light," handing out three awards (one for Short-Form Video). In 2006, she won the Best Dance Album award for 2006's "Confessions on a Dance Floor," appropriate for that beat-driven project, yet faint praise for an artist that dominated the pop landscape in the '80s. Bob Marley & The Wailers: Shut out during his lifetime, reggae visionary Bob Marley was finally inducted into the Grammy Hall of Fame in 2007. Academy members have also posthumously honored his legacy through the creation of a dedicated reggae category, while son Ziggy Marley has won four Grammys on his own, but reggae's greatest progenitor and influence never lived to see academy acceptance. The Byrds: Folkies smitten by the British Invasion, the Byrds twined Beatles harmonies and chiming guitars around their own melodic originals and a savvy clutch of Bob Dylan songs, creating the template for folk rock. Despite a sonic stamp bequeathed to Grammy winners including Tom Petty and R.E.M., and a second chapter that shaped the country rock of the Eagles and, later, Nashville itself, the Byrds never flew off with a Grammy.

For every favorite son (Quincy Jones) or daughter (Alison Krauss) with a shelf full of statuettes, there's at least one major artist that felt shortchanged or shut out by Grammy voters come awards night. Here's a pantheon of commercial and critical heavyweights that have eluded the embrace of Recording Academy voters. Led Zeppelin: Fountainhead for hard rock and pioneers for metal, Led Zeppelin received as little respect from Grammy voters as they did from rock critics during their '70s heyday, despite phenomenal album sales, sold-out concerts and what would prove to be a very long shadow indeed, in terms of influence. Neil Young: A towering figure on the rock landscape, Neil Young has been bypassed for both his prolific solo output and his hugely influential folk-rock adventures with Buffalo Springfield and Crosby, Still, Nash & Young. At least the academy was consistent: Crosby, Stills & Nash have also gone without Grammy love. The Beach Boys: One of the few U.S. acts that managed to stay afloat against the tide of the first British Invasion, the Beach Boys envied and admired the Beatles, raising the artistic stakes with their 1966 album masterpiece, "Pet Sounds." That concept set in turn inspired the Beatles' epic "Sgt. Pepper's Lonely Hearts Club Band," which won Album of the Year in 1967, but Brian Wilson and company soldiered on without their own award. Jimi Hendrix: Rock's most incendiary guitarist polarized early audiences with his jaw-dropping mix of spectacle and musicianship, but his underground credibility didn't pass muster with Grammy voters. By the time the academy opened its ears to more hard-edged rock, Jimi Hendrix had died an untimely death at the age of 27. The Who: Given the Beatles' 1967 Album of the Year for the conceptual sweep of "Sgt. Pepper," you'd think odds were strong that Grammy voters would salute the Who's fabled rock opera, "Tommy," two years later. Alas, neither Pete Townshend's "deaf, dumb and blind kid" nor the subsequent album spectacles of "Who's Next" (inspired by Townshend's equally ambitious but ill-fated "Lifehouse" project) or "Quadrophenia" stirred the academy to grant the British quartet a Grammy. Allman Brothers Band: When the Allman Brothers Band emerged from Macon, Ga., in the late '60s, they paved the way for the self-aware "Southern rock" boom of the early '70s with a signature fusion of diamond-hard rock whipped by blues and jazz accents. Despite musicianship well beyond the average proto-headbangers of the day, the ABB went without Grammys until notching a lone instrumental award a quarter century later. Creedence Clearwater Revival: While other bands associated with San Francisco's late '60s rock scene flew high and wide across psychedelic sound scapes, East Bay rockers Creedence Clearwater Revival bridged early rock 'n' roll, country and swampy blues in an all-American sound that sparked a string of Top 10 single hits. Despite that commercial clout, CCR went without Grammy attention until founder and songwriter John Fogerty (far right) won 1997's Best Rock Album Grammy for his solo "Blue Moon Swamp" album. James Brown: Grammy got the message with Soul Brother No. 1's seminal, seismic funk crossover on 1965's "Papa's Got a Brand New Bag," but otherwise ignored the prolific R&B icon until his comeback with "Living in America" in 1986. In between those two nods, James Brown virtually invented funk while becoming a true symbol of black pride and self-determination. Grateful Dead: Pillars of the San Francisco sound (and one of the only SF bands to outlive its '60s hype and remain vital for nearly three decades), the Grateful Dead won their own nation of Deadhead fans but never gained traction with Grammy voters during nearly 30 years of recordings. Queen: Their extravagant, extroverted arena rock cushioned their hard-rock muscle with lush pop harmonies and vivid production flourishes, but despite Queen's sold-out tours, platinum album sales and radio-friendly singles, the British quartet never wore Grammy's crown.

We're Not Gonna Take It by Twisted Sister Hells Bells by AC/DC Seek and Destroy by Metallica (Sting's Entrance Music)

Sylvia and Lesnar would be down right awesome as both men are great strikers. Lesnar well have his best fights with top notch strikers.

Hey Idol..I woulnd't mind helping with NWA IDOM: TEW Edition.

Yeah but had he won he would have gotten another 200k on top of what he was alreadying being paid (250K just to fight alone..another 200 if he would have won.

I guess I'll give it a go..maybe it'll spark some inspiration.

That and UFC isn't like boxing..you just don't pay for the main event. You pay for the entire fucking card..because out of the 8 matches or so that they have 6 out of 8 are going to fucking rock. Not to mention this was Lesnar's second MMA match. Maybe he should have picked a weaker opponent.

Fight #8: -Brock Lesnar vs. Frank Mir Round 1: Kurt Angle and The Undertaker were both shown on screen with name labels to the live and PPV audience as both fighters were in the cage before the introductions. Now they just showed "Stone Cold" Steve Austin with a beer in his hand. Crowd cheered big for Austin. Bruce Buffer announces, with great passion, "the former WWE superstar - Brock Lesnar!" Now Sable is shown on screen. And it's time for round one. Lesnar immediately takes Mir down and has half guard. Lesnar is throwing short punches with furry. Ref breaks the two - apparently Lesnar loses a point for hitting Mir in the back of the head. No warning before the point deduction. Restart on the feet and Lesnar drops Mir with a big punch to the face. Lesnar goes berzerk on the ground with punches. Mir slaps on an armbar, but Lesnar escapes. Lesnar stands up and Mir grabs a leg and locks in a leg lock - Lesnar taps out! Frank Mir def. Brock Lesnar via Submission (kneebar) at 1:30 of Round 1.

Rob Yundt Vs. Ricardo Almeida Yundt had three days notice for this fight as the original opponent was very very sick and couldn't fight. Almeida hasn't fought in four years. When he left he had a four game win streak. Yundt is 7-0 in MMA action and this is his UFC debut. He has won his last three fights by TKO. Fight over...Almeida wins with a arm in guitine.

Griffin and Tibau are going to the judges. Griffin dominated standing up, but Tibau was able to take him down three or four times. All three judges score the match 30-27 in favor of.....TYSON GRIFFIN!

They are charging more for this PPV. 44.95. And here is Bruce Buffer! D-X wants their royalty check damn it.